Composed in 1790, this quartet is one of Joseph Haydn’s most beloved chamber works. Nicknamed "The Lark" for the soaring violin melody in the first movement, it blends elegance with inventiveness.

This quartet is best known for its beautiful second movement, often called "Serenade" or "Andante cantabile", featuring a lyrical melody played over gentle pizzicato accompaniment.

Composed in 1783, this is the only minor-key work among Mozart’s six “Haydn” quartets, written in honor of his friend and mentor Joseph Haydn. The quartet is deeply expressive and emotionally intense, reflecting Mozart’s growing mastery of chamber music.

Composed in 1789, this quartet is the first of Mozart’s three “Prussian” quartets, written for King Friedrich Wilhelm II of Prussia, an amateur cellist. It features prominent and elegant cello lines, reflecting the king’s instrument. The music is graceful, conversational, and refined, showcasing Mozart’s mature chamber style with balanced interplay among all four instruments.

Completed around 1799, this is the first of Beethoven’s Op. 18 quartets, marking his serious entry into the string quartet genre. Though influenced by Haydn and Mozart, the piece already shows Beethoven’s unique voice.

Composed in 1773 when Mozart was just 17, this quartet is part of a set of six influenced by Haydn’s work and known as the "Viennese Quartets." Despite his youth, Mozart displays growing sophistication and boldness

Composed in 1798–1800, this quartet is the first of Beethoven’s six Op. 18 quartets, written in homage to Haydn and Mozart. While Classical in form, it reveals Beethoven’s emerging personal style.

Composed in 1881, Borodin’s Second String Quartet is one of his most lyrical and beloved works, written as a romantic tribute to his wife.

Composed in 1785, this is the last of Mozart’s six “Haydn” quartets and is nicknamed “Dissonance” for its bold, slow introduction, filled with unexpected harmonies that were striking for its time.

Composed in 1827 when Mendelssohn was just 18, this quartet is deeply influenced by Beethoven’s late works, especially Op. 132.

Composed in 1772, this quartet is part of Haydn’s groundbreaking Op. 20 set, often called the “Sun Quartets.” Known for its fugal finale, the piece reflects Haydn’s deepening interest in counterpoint and structural innovation.

Composed in 1902 for violin, viola, and cello, this five-movement serenade blends Classical form with Romantic warmth and Hungarian flair. It opens with a lively march and includes a heartfelt Romanza and a spirited scherzo.